Jan. 18th, 2012

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One of my favorite things to do when I am bored (or procrastinating) is to look back at the titles of papers I have written, and laugh at how awesome/pretentious I am.  Some greatest hits:

How the World that Is Came to Be: Mythological Roots of Middle Earth
What do Revelling Fairies have to do with Anything?  An Analysis of the Metatheatrical Dimensions of A Midsummer Night's Dream
Bewitching Macbeth with Ambition: The Weïrd Sisters as Objective Correlative
Bushisms: Executive Neologistical Patterns
Rife with Rhetoric: Text Setting in Handel's Ode to St. Cecilia
A Sound Structure: Sonata Form in Haydn's String Quartet in G, Op. 64, No. 4
Schubert's "Gretchen am Spinnrade" vs. the Standards of Greatness, or, Nobody can ever be as good as Beethoven (this was extra sassy because I was really pissed about this class)
Bizet & Tchaikowsky, Nineteenth-Century Musical Isms, and the Panromanogermanic Bias
In Babylon, Gentle Voices Wail Their Sorrow: Schoenberg's Love Life and The Book of the Hanging Gardens
The Ceremony of Innocence is Drowned: Ambiguity, Homosexuality, and Exoticism in The Turn of the Screw (including section headings "Homosexuality in Britain" and "Homosexuality and Britten" because I like to think I'm clever)
Death and Disorder: The Sacrificial Victim in a Corrupt Community, and Why It Doesn't Work
Peter Grimes's Interludes: A Love Song
Renaissance Polyphony for the Modern Bassoonist: John Steinmetz's Sonata for Bassoon and Piano, II. Browning

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