(no subject)
Apr. 21st, 2007 03:30 amSo I have a roommate again! I met her when I got in after the concert (and then Palomino) last night. Her name is Kady and she's pre-med and filipino and christian and she seems very sweet, escaping from her own terrible roommate situation that was rather worse than mine... I think we'll get along, although the sudden explosion of pink in the room was disorienting (she likes Hello Kitty). And I will miss the whole wandering around naked thing... although she says she goes home most weekends so I'll have that at least.
haha.
I just feel kind of bad, since she has expressed a desire to do things together and bond and stuff, and I am really only here when I'm sleeping or working; yesterday I was gone until circa midnight (concert & then the customary orchestral storming of Palomino, an Italian restaurant (and bar)), and tonight -- well, suffice it to say I got back half an hour ago. She's asleep. And, you know, I don't mean to be unfriendly, and I don't want her to be lonely, but I am just so busy -- partially because, for the first time, there are lots of people asking me to play in stuff for them. Recitals and quintets and stuff. And so in addition to class & large ensemble rehearsals all day, and practising and hanging out with Zach, Dena, and/or Paula, I have added extra rehearsals for all these things. I'm actually going to do homework early this weekend, because I anticipate not having enough time during the week. You know that that, for me, is pretty extreme, eh.
I really don't mean to be an absentee roommate. I just have no time.
Also, it figures that I would get a roommate the day I run out in the morning without making my bed.
In other news, today I had a talk with Conductor Dan, our graduating DMA conductor, about (you'll never guess) conducting. It was... well, eye-opening. He really told it like it is, which is good, since I think Dr. Lee and his grad students tell it in a way that is less likely to frighten people off, but it's much better to know what you're getting into, yeah? He just made me really realise how much work it's going to be, and how much time and effort I'll have to put in. What you really need to be capable of to be a good conductor is definitely intimidating, but mostly it inspired in me an intense urge to go to the library and check out a bunch of treatises and scores, so I did, and I quickly became less flustered. It's just... intense. And I'm going to have to be intense. I've been coasting for a while, doing things that don't take that much work because frankly, after PACE, I was tired, and I have things I can be doing that are much more fun, but I've been buckling down gradually -- practising more, playing more, and now I'm going to start working on score study, which Dan feels is the biggest, most important part of being a conductor. And it's going to be hard... but I decided to start with things I already know well -- Tchaik 6, Scheherezade, Finlandia, Quiet City... and Mathis Der Maler, because it's one of our listening assignments in Theory this quarter. And I'll learn. And it'll be fine. I'm also going to work more on my keyboard skills, because they're so necessary to score study.
So, um, yeah. That's what's new with me.
haha.
I just feel kind of bad, since she has expressed a desire to do things together and bond and stuff, and I am really only here when I'm sleeping or working; yesterday I was gone until circa midnight (concert & then the customary orchestral storming of Palomino, an Italian restaurant (and bar)), and tonight -- well, suffice it to say I got back half an hour ago. She's asleep. And, you know, I don't mean to be unfriendly, and I don't want her to be lonely, but I am just so busy -- partially because, for the first time, there are lots of people asking me to play in stuff for them. Recitals and quintets and stuff. And so in addition to class & large ensemble rehearsals all day, and practising and hanging out with Zach, Dena, and/or Paula, I have added extra rehearsals for all these things. I'm actually going to do homework early this weekend, because I anticipate not having enough time during the week. You know that that, for me, is pretty extreme, eh.
I really don't mean to be an absentee roommate. I just have no time.
Also, it figures that I would get a roommate the day I run out in the morning without making my bed.
In other news, today I had a talk with Conductor Dan, our graduating DMA conductor, about (you'll never guess) conducting. It was... well, eye-opening. He really told it like it is, which is good, since I think Dr. Lee and his grad students tell it in a way that is less likely to frighten people off, but it's much better to know what you're getting into, yeah? He just made me really realise how much work it's going to be, and how much time and effort I'll have to put in. What you really need to be capable of to be a good conductor is definitely intimidating, but mostly it inspired in me an intense urge to go to the library and check out a bunch of treatises and scores, so I did, and I quickly became less flustered. It's just... intense. And I'm going to have to be intense. I've been coasting for a while, doing things that don't take that much work because frankly, after PACE, I was tired, and I have things I can be doing that are much more fun, but I've been buckling down gradually -- practising more, playing more, and now I'm going to start working on score study, which Dan feels is the biggest, most important part of being a conductor. And it's going to be hard... but I decided to start with things I already know well -- Tchaik 6, Scheherezade, Finlandia, Quiet City... and Mathis Der Maler, because it's one of our listening assignments in Theory this quarter. And I'll learn. And it'll be fine. I'm also going to work more on my keyboard skills, because they're so necessary to score study.
So, um, yeah. That's what's new with me.